Les Adoptés
24/01/16 Filed in: Amazon Prime
I'm gradually working my way through the French films that are free to view on Amazon Prime. The latest was Les Adoptés. Mélanie Laurent, who co-wrote the screenplay, directs and stars in this film. Not surprisingly, it's a film with a very female perspective.

Perhaps I'm biased, but French films seem to get under the skin of personal relationships far more convincingly than many American ones. Lisa (Mélanie Laurent), a single mum with a little boy, has an adopted sister, Marine (Marie Denarnaud), and the two of them enjoy a close relationship more symptomatic of twins than of a sister and an adopted sister. When Marine falls in love with Alex (Denis Ménochet) this relationship is destabilised, and Lisa takes a dislike to Alex. Their mother, Millie (Clémentine Célarié) is the voice of reason as the two sisters struggle to come to terms with a new set of emotions.
Marine and Alex go through a bit of a bad patch but make up, only for tragedy to strike. With Marine hospitalised, and in a serious condition, Lisa and Alex gradually warm to each other, Alex becoming a sort of a father figure for Lisa's son, Léo, brilliantly played by Théodore Maquet-Foucher.

Perhaps I'm biased, but French films seem to get under the skin of personal relationships far more convincingly than many American ones. Lisa (Mélanie Laurent), a single mum with a little boy, has an adopted sister, Marine (Marie Denarnaud), and the two of them enjoy a close relationship more symptomatic of twins than of a sister and an adopted sister. When Marine falls in love with Alex (Denis Ménochet) this relationship is destabilised, and Lisa takes a dislike to Alex. Their mother, Millie (Clémentine Célarié) is the voice of reason as the two sisters struggle to come to terms with a new set of emotions.
Marine and Alex go through a bit of a bad patch but make up, only for tragedy to strike. With Marine hospitalised, and in a serious condition, Lisa and Alex gradually warm to each other, Alex becoming a sort of a father figure for Lisa's son, Léo, brilliantly played by Théodore Maquet-Foucher.
The film is presented as three stories, firstly Marine's, then Lisa's and then Alex's. It doesn't re-tell the same events three times over, but concentrates on each character individually during her or his critical period. This was Laurant's first director's role, and the critical reviews were mixed. But given that women need to be ten times better than men to garner equivalent praise, it's perhaps not surprising that a young actress turned director would find it hard to please the critics. Personally I found the film to be delicate, quite beautiful in fact, with some nice cinematic touches and convincing performances from the cast.
As for the French, I got a fair amount but wouldn't have survived without subtitles.
One day!
As for the French, I got a fair amount but wouldn't have survived without subtitles.
One day!