Learning to Drive
15/06/16 Filed in: Cinema
I read an article in which Ben Kingsley was extolling the virtues of women directors, citing his experience in the recently released film Learning to Drive. He said: “I do feel that it is through the prism, the lens, the perspective of the female eye – the loving female eye – that a man is almost given permission to be vulnerable." This analysis intrigued me and today we went to see the film.
Kingsley plays a Sikh, Darwan Singh Tur, who is a driving instructor by day and a taxi driver by night. One evening he is hailed down by a man who is being pursued by an extremely angry wife, and both get in the cab. The man is Ted, who has just told his wife, Wendy, that he's leaving her for another woman. Ted doesn't stay in the cab that long and Singh Tur drives Wendy home. He later finds that she has left a package in the cab.

Wendy's daughter is working on a farm and, having informed her mother that this time Ted won't be coming back (he had strayed previously), asks her mum to visit her at the farm. But Wendy can't drive, cue Singh Tur returning the package and Wendy asking him to give her driving lessons.
Kingsley plays a Sikh, Darwan Singh Tur, who is a driving instructor by day and a taxi driver by night. One evening he is hailed down by a man who is being pursued by an extremely angry wife, and both get in the cab. The man is Ted, who has just told his wife, Wendy, that he's leaving her for another woman. Ted doesn't stay in the cab that long and Singh Tur drives Wendy home. He later finds that she has left a package in the cab.

Wendy's daughter is working on a farm and, having informed her mother that this time Ted won't be coming back (he had strayed previously), asks her mum to visit her at the farm. But Wendy can't drive, cue Singh Tur returning the package and Wendy asking him to give her driving lessons.
What follows are lessons to drive along with some lessons for life from the calm and (almost) imperturbable Sikh. Progress with the driving is a bit bumpy while the relationship between the two grows. Singh Tur clearly has feelings for Wendy but he is promised to another, who arrives part way through the story. Referring back to Kingsley's comment about giving male actors permission to be vulnerable, this vulnerability is shown as Singh Tur struggles, albeit reservedly, with his obvious feelings for Wendy while respecting the values of his culture and religion.
This is a beautifully observed film, and the female influence probably has a lot to do with it. Will Singh Tur decide to turn his back on all he believes? I won't answer that question, only to say that the outcome is life affirming.
A sensitive story well acted. What's not to like?
This is a beautifully observed film, and the female influence probably has a lot to do with it. Will Singh Tur decide to turn his back on all he believes? I won't answer that question, only to say that the outcome is life affirming.
A sensitive story well acted. What's not to like?